Review:
“A postmodern visionary who is also a master of styles and genres, David Mitchell combines flat-out adventure, a Nabokovian love of puzzles, a keen eye fro character, and a taste for mind-bending philosophical and scientific speculation in the tradition of Haruki Murakami, Umberto Eco, and Philip K. Dick. The result is brilliantly original fiction that reveals how disparate people connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.”
I wasn’t completely convinced about this book when I first started reading it. Probably because I had no idea what the connection between the characters was and where the story was going.
Imagine my surprise when one of the stories ended in the word ‘might’. I frantically searched through the book to see whether that was it, which it wasn’t. Once you start making the connections and begin to understand the complexity of the situations each of the characters is going through (plus delightful writing style) you realize this is one of the best novels you’ll ever read.
The stories start in the past, into the present and well into future. It’s something like a domino effect, one thing leads to another and makes really remote occurrences have an effect on each other.
There are five stories that get cut in the middle (everything happens for a reason) and one story that happens in the distant future that kinda glues all the other stories together. They are told from past to future in the first part of the book and from future to past in the other.
THE PACIFIC JOURNAL OF ADAM EWING
This is the very first story in the book. Not being a native speaker of English, the sailing vocabulary was a bit hard for me, but I kept going nonetheless (I’m one of those people who will finish a book no matter what). It gets a bit difficult to understand for a while, because we don’t know what’s going on with this rare disease that the main character gets and the strange methods the ship doctor uses to ‘cure’ him. To be honest, this was my least favourite story, not that I didn’t like it, I did, just not as much as the others.
LETTERS FROM ZEDELGHEM
This is where I started feeling the ‘I-can’t-put-this-book-down’ syndrome. It’s the much gripping tale of an aspiring composer who meets his celebrity crush. He starts helping old Ayrs compose an Aria, but in the meantime the muses inspire him and he creates the Cloud Atlas (yup… just like the title) which Ayrs then tries to claim as his own work. It’s a tale of discovery, and a kind of cautionary tale to all those who may idolize a certain celebrity, telling us that no one’s perfect. (Things get steamy with Ayrs’ wife and all hell breaks loose)
HALF-LIVES – THE FIRST LUISA REY MYSTERY
Luisa Rey is a reporter who tries to uncover the truth about a company. We get to see how she narrowly escapes death and this really sneaky organization that has set its murderous sight on her. She basically lives with a target on her back. I really enjoyed reading this section, Luisa is a complex character that is also likeable and sometimes even witty. She’s very smart, which is something that I found lacking in other novels’ female characters. The first part ends with a cliffhanger… a really HUGE cliffhanger…
THE GHASTLY ORDEAL OF TIMOTHY CAVENDISH
This is about a man who gets tricked into a retirement home by his bitter brother. Now, Timothy is not just any grumpy old man, he is escaping from some thugs that want a cut from a recently murdered author’s work. He’s my favourite character by far because he’s very clever and not afraid to send as many people to hell as he can. I found myself laughing out loud on the subway while I read (something that doesn’t happen that often). This is also my favourite section, it was very fun and enjoyable to read.
AN ORISON OF SONMI-451
This is a kind interrogation by a futuristic government to a ‘servant’. Sonmi-451 belongs to a society where social classes are carefully divided into fabricants and purebloods. Sonmi is a fabricant, and she is destined to serve purebloods until the day she is freed (or so she thought). She is being interrogated because she was actually freed and joined a revolutionary group. Sonmi is a rarity, because she can actually think for herself, which is something fabricants can’t and are not allowed to do. It’s a very exciting tale to read, with some action here and there and the story of a girl who dared to dream of something beyond her already written destiny.
SLOOSHA’S CROSSIN’ AN’ EV’RYTHIN’ AFTER
This is the only story that is not ‘interrupted’ and glues all the other tales together. All I will say about this one is that it’s in the distant future and has to do with fear of the unknown (I don’t want to spoil it for you… it’s great!). It brings all the facts we’ve been collecting throughout the story together nicely and wraps them up in a great way.
I had my doubts about this book, I’d been told it was really good but it was not what I’m used to reading. Overall a great experience, great character development and amazing settings and descriptions. It’s a must-read in my opinion.
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